Vote For Gracie! - Gracie Allen’s 1940 Presidential Campaign

Vote For Gracie Button

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Show your support for Gracie Allen by wearing this “Vote for Gracie!” campaign button!  Although Gracie is no longer with us, I believe that her presence in the White House would be more beneficial to us than the presence of the current resident’s have been for the last seven years!  Read more about Gracie’s campaign below!

GRACIE ALLEN’S 1940 PRESIDENTIAL CAMPAIGN

Gracie Allen, the female half of the runaway comedy team of Burns and Allen, announced one March evening over the radio her intention to compete for the presidency at the head of a new third party, the “Surprise Party.” Why the Surprise Party? As Gracie later explained, her mother was a Democrat, her father a Republican, and Gracie had been born a Surprise.

Gracie’s presidental bid had originally been conceived as a simple radio gimmick with the expectation of a short half-life. George Burns later recalled its moment of birth: “Gracie and I were at home in Beverly Hills with our children [when she] suddenly remarked, ‘I’m tired of knitting this sweater. I think I’ll run for president this year.’”

The idea wasn’t particularly new. Other radio personalities, notably Eddie Cantor and Will Rogers, had made slapstick runs in the direction of 1600 Pennsylvania Avenue. Gracie’s unique campaign, however, aquired a unique momentum.

To underscore in the public mind the extent of her determination as a presidental candidate, Gracie began making the rounds of other radio programs, frequently bursting in unannounced to offer her views on the burning issues of the day. Delighted listeners never knew when she would pop up; The Texaco Star Theatre, Fibber McGee and Molly, The Jack Benny Program, and even Dr. I.Q., the Mental Banker recieved visits from the candidate, who then outlined her offbeat political positions with little or no prompting.

When Ken Murray on The Texaco Star Theatre asked with which party Gracie was affiliated, ahe heatly retorted, “I may take a drink now and then, but I never get affiliated.”

Gracie was the only candidate to encourage the American people to take pride in our national debt, boasting that “it’s the biggest in the world.” So impressed was she with the $43 billion owed by the government that she proposed depositing the entire amount in a “safe” bank at two percent intrest.

Queried on the Neutrality Bill pending before Congress, her position was an unequivocal “If we owe it, let’s pay it.”

Allen was a strong supporter of the Dies Committee–”If we didn’t keep [it] going, who’d color our Easter eggs?”

Asked if she would recognize Russia, Gracie showed uncharacteristic hesitation: “I don’t know. I meet so many people….”

And though she was eager to serve the nation as president, Gracie had her limits. “I will make no fire-side chats from the White House between April 15 and October 15,” she declared. “It is asking too much and I don’t know how President Roosevelt stands it. Washington is awfully hot in summer.”

Gracie not only understood the importance of taking positions on the issues; she recognized the importance of symbols. Mascot of the Surprise Party was a kangaroo named Laura (this was, after all, leap year); slogan of the new party–”it’s in the bag”–adopted to demonstrate the level of confidence the candidate had in her campaign (as well as the fact that Laura was a recent mother). Gracie also pioneered the idea of the sew-on campaign button to discourage her supporters from changing their minds in midstream.

Songwriter and close friend Charles Henderson composed the Surprise Party’s campaign song, a modest ditty entitled simply “Vote for Gracie.” Proclaimed one line: “If the country’s going Gracie, so can you.”

Shortly after the series of whirlwind radio announcements of her candidacy, Gracie appeared in Washington, D.C., as quest of honor before the Women’s National Press Club, at the special invitation of Eleanor Roosevelt. While in Washington Gracie unveiled plans for the Surprise Party’s first national convention, to be held in Omaha, Nebraska during May 15 to 18. Gracie conceded that there was a danger in being the first candidate that year to hold a convention in as much as the Republicans would probably double any campaign promises she made and the Democrats were certain to follow behind and redouble the ante. However, she argued, if the other parties thought this would make her vulnerable they were mistaken, for she had some surprises up her sleeve, along-side a box of raisins that she proposed to nibble on while awaiting the election returns.

Returning to California to plan her strategy, await the results of the initial campaign salvos, and incidentally continue broadcasting the Burns and Allen Show, Gracie couldn’t have helped feeling elated with the country’s response to her efforts. The bandwagon effect began in St. Louis with one write-in vote for president; once established, the pattern repeated in Chicago. The wave of growing support crested when the citizens of Monominee, Michigan, a town of ten thousand on the southern tip of the upper peninsula, elected Gracie mayor. She was disqualified from assuming the office, however, on the grounds that a non-resident couldn’t legally serve as mayor. “A person can’t live everywhere,” Gracie remarked philosophically as she continued her bid for the presidency.

Gracie even recieved the endorsement of Harvard University. (This must have been a serious blow to Roosevelt, who was an alumnus of the school.)

During the next couple of months, Gracie’s campaign staff ironed out plans for the Omaha convention. Gracie arranged to whistle-stop all the way from Hollywood to Omaha aboard the same private car used by W. Averell Harriman, chairman of the board for the Union Pacific Railroad. Allen’s campaign dovetailed nicely with Omaha’s annual celebration of Golden Spike Days, a joint venture between Omaha and the railroad.

On May 9, 1940, Gracie, George, and their entourage boarded the campaign special. As the train pulled out of Hollywood Station the whistle played “Vote for Gracie.” Between Hollywood Station and Omaha the Allen campaign train made more than thirty stops, including Las Vegas, Salt Lake City, Denver, North Platte, and Cheyenne. Decades later, in his affectionate 1988 tribute to his wife, Gracie: A Love Story, Burns recalled in detail the outpouring of affection and general good cheer the party encountered all along the route.

Upon her arrival in Omaha, the National Broadcasting Company–the Burns and Allen show’s new network–carried her speech live.

On May 17, 1940, thousands of wildly enthusiastic delegates congregated in Omaha’s Creighton University Stadium to unanimously nominate Gracie Allen for president of the United States. There was no vice-presidential candidate, however; Gracie had warned all along that she would tolerate no vice in her administration.

Gracie forthrightly referred to her platform (”redwood trimmed with ‘nutty’ pine”) as having “such insignificance that future historians may well call it the Magna Carta of the Misdeal.” Her platform ideas, she confessed, had come to her in a dream. Among the key provisions: (1) Put Congress on a comission basis. Whenever the country prospered Congress would get ten percent of the additional take. (2) Extend Civil Service to all branches of government, because “a little politeness goes a long way.”

On election day, November 5, 1940, Franklin Roosevelt collected more than twenty-seven million votes and was re-elected president. Defeated Republican candidate Wendell Willkie recieved some twenty-two million votes. Gracie likely recieved a few hundred write-in votes, at best; no exact figures are available. In retrospect, her campaign had probably peaked in the spring with her Menominee victory and the Omaha convention.

Source:  George Burns & Gracie Allen (The Unofficial Site of the World’s Greatest Comedy Team)

1 comment December 19, 2007

New York Jazz

New York Jazz Dark T-Shirt

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The 1920’s was a huge decade for the phenomena known as “Jazz”.  Due to the closing of the seaport in New Orleans, musicians were forced to travel up the Mississippi to find work.  Two of the cities most affected by this move were Chicago and New York.

Chicago was home primarily for New Orleans traditional music during the 1920’s.  From this New Orleans style came four major types of jazz: Boogie-Woogie, Chicago Jazz, Urban Blues, and Society Dance Bands.  Because of the ever-growing popularity of nightclubs during Prohibition, these styles of jazz thrived so musicians were guaranteed jobs.  The popularity of the phonograph also provided a huge boost to the music industry during the 1920’s.

Boogie-Woogie was a style of improvised piano music played during the ’20’s in Chicago.  It got its start in the mining areas of the Midwest.  The rolling, repetitious style was the beginning of the Midwestern shuffle style.

The second type of jazz popular during this time was Chicago Jazz.  It was played mostly by white musicians.  Chicago Jazz tended to be very aggressive and usually ended abruptly.  Since Chicago had more nightclubs than New York, it held a bigger attraction for musicians.  It was only after the stock market crash in 1929 that New York replaced Chicago as a jazz capital.  This style of jazz was tighter and more rehearsed than others. 

The next kind of jazz to emerge during the 1920’s was Urban Blues.  This was played primarily in an area known as the “bucket of blood.”  This referred to an area along the South Side of Chicago.  The clubs there were known to hire the “who’s who” of blues musicians.  The last major style of jazz to emerge from Chicago during the ’20’s was Society Dance Bands.  These bands were usually big with plush arrangements.  They were located downtown and were slower paced and had no improvisation.  They were designed mainly for dancing.  They had a more sophisticated sound that was copied by other bands because it was so successful.

New York was the other city greatly affected by the close of “Storyville”.  During the 1920’s New York was known for two main reasons: the Harlem Renaissance and the Harlem Big Bands.  Spasm bands also became popular in this area.

The Harlem Renaissance was a shift in the jazz industry from Chicago to New York.  This occurred during the mid 1920’s.  The Harlem Piano School was surrounded by small clubs featuring solo piano acts.  One major difference between Harlem and Boogie-Woogie piano players was that the Harlem players were usually better trained.  This is also the time period when African-American art and culture entered the mainstream. Secondly, the Harlem Big Bands were a new phenomena in New York during the 1920’s.  The major idea behind these big bands was to make the arrangements sound as close to an improv performance as possible.

Some notable jazz musicians to come out of New York during the 1920’s were:

Art Tatum (1909-1956)   Listen to Art Tatum’s “Stormy Weather”
James P. Johnson (1891-1955)   Listen to James P. Johnson’s “Carolina Shout”
Eubie Blake (1883-1983)   Listen to Eubie Blake’s “Wolverine Blues”
Willie “The Lion” Smith (1887-1973)   Listen to Willie “The Lion” Smith’s “Finger Buster”
Duke Ellington (1899-1974)   Listen to Duke Ellington’s “Three Little Words”
Fletcher Henderson (1898-1952)

 Source:  CyberEssays

Add comment December 9, 2007

STOPOVER at Exciting Las Vegas, Nevada

Las Vegas Fitted T-Shirt

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Las Vegas (English: “The Meadows”) was named by Spaniards in the Antonio Armijo party, who used the water in the area while heading north and west along the Old Spanish Trail from Texas. In the 1800s, areas of the Las Vegas Valley contained artesian wells that supported extensive green areas or meadows (vegas in Spanish), hence the name Las Vegas. John C. Frémont traveled into the Las Vegas Valley on May 3, 1844, while it was still part of Mexico. He was a leader of a group of scientists, scouts and observers for the United States Army Corps of Engineers. On May 10, 1855, following annexation by the United States, Brigham Young assigns 30 Mormon missionaries led by William Bringhurst to the area to convert the Paiute Indian population. A fort was built near the current downtown area, serving as a stopover for travelers along the “Mormon Corridor” between Salt Lake and the briefly thriving Mormon colony at San Bernardino, California. Las Vegas was established as a railroad town on May 15, 1905, when 110 acres (44.5 ha) owned by Montana Senator William A. Clark’s San Pedro, Los Angeles and Salt Lake Railroad, was auctioned off in what is now downtown Las Vegas. Las Vegas was part of Lincoln County until 1909 when it became part of the newly established Clark County. Las Vegas became an incorporated city on March 16, 1911.

Source:  Wikipedia

Add comment December 9, 2007

The Katzenjammer Kids

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The Katzenjammer Kids is a comic strip created by the German immigrant Rudolph Dirks. It debuted on December 12, 1897 in the American Humorist, a Sunday supplement of the New York Journal owned by newspaper king William Randolph Hearst. It is probably the world’s second oldest comic strip, after The Yellow Kid, which ran from 1895–98. The Katzenjammer Kids is today distributed by King Features Syndicate, making it the oldest comic strip still in syndication.

After a series of legal battles between 1912 and 1914, Dirks left the Hearst organization, and began a new strip, first titled Hans und Fritz and then The Captain and the Kids, featuring the same characters as The Katzenjammer Kids, which was continued by Hearst with other artists. The two separate versions of the strip competed with each other until 1979, when The Captain and the Kids, by then illustrated by Rudolph Dirks’ son John, ended its six-decade run.

The Katzenjammer Kids was inspired by “Max and Moritz”, a famous children’s story of the 1860s by the German Wilhelm Busch. The Katzenjammer Kids (three brothers in the first strip, but soon reduced to two) featured Hans and Fritz, twins who rebelled against authority, particularly in the form of their mother, Mama; der Captain, a shipwrecked sailor who acted as a surrogate father; and der Inspector, an official from the school system. Several of the characters spoke in stereotypical German-accented English. Katzenjammer means contrition after a failed endeavour or hangover in German.

The comic strip was turned into a stage play in 1903, inspired several animated cartoons, and was one of twenty strips included in the Comic Strip Classics series of commemorative postage stamps.

Source:  Wikipedia

Add comment December 9, 2007

Twas brillig, and the slithy toves (Jabberwocky)

“Jabberwocky” is a poem of nonsense verse written by Lewis Carroll, and found as a part of his novel Through the Looking-Glass, and What Alice Found There (1871). It is generally considered to be one of the greatest nonsense poems written in the English language. This poem is used in many schools to teach students about the use of portmanteaux.

‘Twas brillig, and the slithy toves
Did gyre and gimble in the wabe:
All mimsy were the borogoves,
And the mome raths outgrabe.

“Beware the Jabberwock, my son!
The jaws that bite, the claws that catch!
Beware the Jubjub bird, and shun
The frumious Bandersnatch!”

He took his vorpal sword in hand:
Long time the manxome foe he sought—
So rested he by the Tumtum tree,
And stood awhile in thought.

And, as in uffish thought he stood,
The Jabberwock, with eyes of flame,
Came whiffling through the tulgey wood,
And burbled as it came!

One, two! One, two! And through and through
The vorpal blade went snicker-snack!
He left it dead, and with its head
He went galumphing back.

“And hast thou slain the Jabberwock?
Come to my arms, my beamish boy!
O frabjous day! Callooh! Callay!”
He chortled in his joy.

‘Twas brillig, and the slithy toves
Did gyre and gimble in the wabe:
All mimsy were the borogoves,
And the mome raths outgrabe.

Source:  Wikipedia

Add comment December 9, 2007

Groupie Gear

“Groupie Gear” Merchandise
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The perfect groupie or stage hand gear!  This “I’m with the band” shirt lets everyone know just how important you are!

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Happiness is a Hot Air High!

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The first clearly recorded instances of balloons capable of carrying passengers used hot air to obtain buoyancy and were built by the brothers Joseph-Michel and Jacques-Etienne Montgolfier in Annonay, France. These brothers came from a family of paper manufacturers and had noticed the ash rising in fires. After experimenting with unmanned balloons and flights with animals, the first balloon flight with humans on board took place on October 19, 1783 with the scientist Jean-François Pilâtre de Rozier, the manufacture manager, Jean-Baptiste Réveillon and Giroud de Villette, at the Folie Titon in Paris. Officially, the first flight was 1 month later, 21 November 1783. King Louis XVI had originally decreed that condemned criminals would be the first pilots, but a young physicist named Jean-François Pilâtre de Rozier and the Marquis Francois d’Arlandes successfully petitioned for the honor. The first hot air balloons were basically cloth bags (sometimes lined with paper) with a smoky fire built on a grill attached to the bottom. They had a tendency to catch fire and be destroyed upon landing, although this was infrequent.

The first military use of aircraft in Europe took place during the French Revolutionary Wars, when the French used a tethered hydrogen balloon to observe the movements of the Austrian army during the Battle of Fleurus (1794). Hot air balloons were employed during the American Civil War. Though the military balloons used by the Union Army Balloon Corps under the command of Prof. Thaddeus S. C. Lowe were limp silk envelopes inflated with coke gas (town gas) or hydrogen.

The first modern day hot air balloon to be built in the United Kingdom (UK) was the Bristol Belle in 1967.

Source:  Wikipedia

Add comment December 9, 2007

Hiawatha: First of the Speedliners


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The Hiawathas were named passenger trains operated by the Chicago, Milwaukee, St. Paul and Pacific Railroad (also known as the Milwaukee Road), and traveled from Chicago to the Twin Cities in Minnesota. The first Hiawatha trains ran in 1935. By 1947, there were five routes carrying the Hiawatha name.

Due to its great economic success, in 1936-37 the Milwaukee Road completely re-equipped the original Hiawathas with a new Hiawatha based roughly on the 1935 design. In 1938, the train was re-equipped again with the rib-sided 1938 Hiawatha with its famous finned beaver-tail observation car was designed by noted industrial designer Otto Kuhler.

Source:  Wikipedia

Add comment December 9, 2007

The Haunted House, Starring Buster Keaton (1921)

According to Wikipedia:  The Haunted House is a 1921 short comedy film starring comedian Buster Keaton. It was written and directed by Keaton and Edward F. Cline. The runtime is 21 minutes. One of the more memorable sequences of the film involves bank teller Buster spilling glue all over his counter, reminiscent of a scene in his first film The Butcher Boy.  Buster Keaton is a bank teller who becomes involved in a hold-up, counterfeiters, and a theatrical troupe posing as spooks in a haunted house.  The film ends with a famous sequence of Keaton ascending to heaven, and then descending to Hades.

The cast included Buster Keaton as the bank clerk, Virginia Fox as the bank president’s daughter, Joe Roberts as the bank cashier, Edward F. Cline as a customer in the bank, and Natalie Talmadge (uncredited) as the fainting female bank customer.

1 comment December 9, 2007

Good-Bye Bill (1919)

According to IMBD, Good-Bye Bill came out in 1918.  According to Hal Erickson of the All Movie Guide, it came out in 1919.  I’m going to go with Hal’s date, simply because he has more to say about the movie than IMBD.  This is what he has to say:

The husband-wife writing team of Anita Loos and John Emerson wrote the screenplay for Good-Bye, Bill, with Emerson performing double duty as director. A WWI farce, the story would have us believe that Kaiser Wilhelm would import a professional “mustache fixer,” all the way from New Jersey. Kaiser Bill is of the opinion that his army will win only if their upturned moustaches are properly waxed and trimmed. The Beast of Berlin’s plan is foiled by the sweetheart (Ernest Truex) of the mustache fixer’s pretty daughter (Shirley Mason). The closing gag of Truex putting an end to the scheme by cutting off the Kaiser’s mustache was later reworked seriously into the plot of the WWII melodrama Hitler: Dead or Alive (1942).  -Hal Erickson, All Movie Guide

IMBD lists the credits as follows:

Shirley Mason …  Elsie Dresser
Ernest Truex …  Teddy Swift
Joseph Allen Sr. …  Kaiser William the Nut (as Joseph Allen)
Joseph Burke …  Herr Dresser
Carl De Planta …  Prince Willie
Henry S. Koser …  Herr Tonik (as H.E. Koser)
J. Herbert Frank …  Count Von Born Effry-Minutt (as Herbert Frank)

Add comment December 9, 2007

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